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正义者

状态:高清
类型:剧情片
年代:2015

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《正义者》剧情简介

《正义者》是一部剧情片,该剧讲述了:Siddartha (Dhritiman Chatterjee) is forced to discontinue his medical studies due to unexpected and brutal death of his father. He has to now find a job in stead. In one job interview, he is asked to name the most significant world event in the last ten years. His reply is 'the plain human courage shown by the people of Vietnam', instead of the expected - man landing on moon. The interviewer asks is he is a communist. Needles to say that he does not get the job. He reaches a coffee shop where he is offered to work for the communist party. When he does not show any interest the party leader tells him about an opening for a medical representative. To escape from the heat and have a snooze, he goes in to a cinema. As a government propaganda newsreel is being shown before the feature, a bomb explodes in the cinema hall. In the stampede that follows, Siddartha, breaks his watch. He goes to a watchmaker but he cannot afford the repairs. Waiting to cross the road, he notices a sexy girl. He drifts back to his days as a medical student in a flashback. The professor is explaining anatomy of female breast. Many flashbacks and dreams occur to Siddartha through the film. On his way to hostel, he has an encounter with some hippies. Along with an ex-classmate, he goes out to see a porn film but to their disappointment, the film turns out to be not-so-pornographic. In such constant wandering in a Calcutta, disintegrated relationships with his sister and a Naxalite (militant communist) brother, his friendship with Keya is only thing that keeps him sane. Keya is a simple girl. They enjoy each other's company but they cannot make any commitment to each other due to the circumstances. After yet another attempt at a job interview, Siddartha leaves the big city to take a modest job of a salesman in a far off small town. He writes to Keya that he still cherishes their relationship. And that he has heard that bird call again but this time it is for real, and not his mind. After completing the letter, he comes out to the balcony of his modest room. The bird calls again. He also hears the sombre chants of a funeral procession. As he turns to the camera, the picture is frozen. This is the first film of the Calcutta Trilogy. The other two were and Seemabaddha (Company Limited, 1971) and Jana Aranya (The Middle Man, 1975). All the three films study the effect the big city of Calcutta has on the educated youth and the price it extracts from them. The seventies were a difficult period for India and West Bengal. The Corruption was rampant the Naxalite movement had created havoc in Calcutta. In fact, they had turned parts of Calcutta into 'liberated zones'. By the time the Naxalite movement died down, in 1975, Mrs. Indira Gandhi (then, Prime Minister of India) suppressed the fundamental rights and declared "Emergency" for her own political survival. Her son, Sanjay Gandhi became a dictator of sorts without any official designation. The opposition leaders were thrown into prisons. About his social responsibilities as a filmmaker, in an interview with Cineaste magazine, Ray commented, "You can see my attitude in The Adversary where you have two brothers. The younger brother is a Naxalite. There is no doubt that the elder brother admires the younger brother for his bravery and convictions. The film is not ambiguous about that. As a filmmaker, however, I was more interested in the elder brother because he is the vacillating character. As a psychological entity, as a human being with doubts, he is a more interesting character to me. The younger brother has already identified himself with a cause. That makes him part of a total attitude and makes him unimportant. The Naxalite movement takes over. He, as a person, becomes insignificant." In a letter to Seton in 1970, Ray wrote that Pratidwandi was the most provocative film he had made till then. The film is said to have evoked extreme reactions. "People either loved the film or hated it", Dhritiman Chatterjee told Andrew Robinson, Ray's biographer.冲在最前的T3被消耗光了,子弹打在T4身上几乎没什么作用,最多是把它们打翻几个滚,可从地上爬起来照样进攻,噗,第一名战士被T4踢爆脑袋,紧接着第二只T4冲进了掩体,机枪阵营立刻乱了套,进化者们手持审判之矛迎上T4,双方在阵地上展开血战。
老丞相又连着发了一顿牢骚,终于还是出谋划策:“但眼下事情已经到了这一步,也没有更多的选择了,我这里有个提议,大家看看行不行,出出意见,完善完善。”

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《正义者》热门评论

  • Avatar
    Aboo发表于: 79小时前
    关于中年男人的生活,想努力找到嚼头,最后就只有失望了。Tom Glynn-Carney这个造型不太敢认,原来真的是他。
  • Avatar
    暖晴发表于: 50小时前
    黄段子超过我的底线了,有点ws,而且也没有很好笑。
  • Avatar
    迷死脱毛发表于: 23小时前
    哎呀呀,正义者余安安真好看!这剧情捉急的啊简直起早去赶集一样(﹁"﹁) ,哦,对了,还有那个画外音是什么鬼!感觉是凭空出现的幽灵似的……
  • Avatar
    Nightwing发表于: 53小时前
    能反思自己得侵略战争这本身就是进步,有一些煽情的地方,结构上也有一些和全金属外壳相似整体看来又像是野战排,但怎么和中国的战争片相比都是很可贵的。想到中国的战争片。。。。。。片中苏联士兵袭击阿富汗村落的场景让我想起了地道战,阿富汗人打的是游击战,和我抗日战争很相似,在我看来很有认同感,最后苏联士兵与其说为了祖国战斗还不如说为了战友和自己的生命,这里我看不到任何的正义与邪恶,这场战争的可悲和荒诞在最后体现出来,一场早应该结束的战斗却发生了,牺牲的人们牺牲的毫无意义,那个为之战斗的祖国在两年后解散了,不再存在。
  • Avatar
    梦之安魂曲发表于: 2小时前
    90/100 嵌套在类型的伪装里,可不论内核还是形式都是彻彻底底地反类型。叙事节奏由巧合事件串联,弥补了蒙太奇的单一产生的叙事单调,手法上让人想起科恩兄弟。对白里有着对政治的调侃、对性别、种族、毒品、残疾的戏谑态度,妥妥的英式黑色幽默。作为一部长篇处女作,已经足够惊艳。